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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Wed Oct 03, 2012 12:32 am
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Replies: 105 Views: 10710
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Previously I told Oceans about how chords progress in modal music and one of the techniques I didn't mention is how there will be areas of Tonic Harmony and Areas of Dominant harmony. Linear progressions such as CM Dm Em Dm, or rocking back and forth between two chords, or iii vi ii V I (IV) are the... |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Wed Oct 03, 2012 12:24 am
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Replies: 105 Views: 10710
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We already talked about how Holdsworths Fusion music is based on esoteric modal structures or are atonal but Corea's music is quite different. Corea likes Chromatic mediants a major third apart as a chord series of limited transposition, as embellished chords, or as large scale key relations. He mig... |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 11:47 pm
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Replies: 105 Views: 10710
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I didn't mean to make it sound like I thought you were criticizing me. I didn't really feel that. I just shared with you thoughts that were already in my head. Brett, I thought I was being realistic but sounds like you don't want me to beat myself up. I hear ya. I noticed that if you take your stick... |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 4:44 pm
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Replies: 105 Views: 10710
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Hi Lee. Jeff Berlin you say? Cool. Thanks for your words of wisdom. Yeah, what has been said about Grammar is that it's not a language behavior and should not be inflicted on children. Speaking, reading, writing and possibly typing are all language behaviors. Grammar is for language scientists. Norm... |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 8:41 am
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Replies: 105 Views: 10710
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O.K. so here is my handy dandy chart for atonal chord progressions. Next up, maybe we can talk about substitutions to the iiVI progression ala Corea. |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 8:35 am
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Replies: 105 Views: 10710
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I already played Stick and it has the advantage of having the bass in range. |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 8:25 am
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Replies: 105 Views: 10710
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Hopefully we can move on from talking about this tuning back to music theory. |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 8:10 am
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Replies: 105 Views: 10710
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Hi again Greg, my last post has the fifth document showing in graphic notation the chord voicings in my tuning. Are you not seeing those? |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 8:06 am
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Replies: 105 Views: 10710
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The net is being really crappy because I've tried to load this file like 5 times. |
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Forum: "Teflon" Instruments and Musicians non-Stick Topic: Music Theory Thread |
Tatsu |
Posted: Tue Oct 02, 2012 7:52 am
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Replies: 105 Views: 10710
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Brett, previously you said that pianists have to give up something to play upper structures and the way you've laid out having to approach it is not what has been discussed in this thread at all. We're talking about a chord cluster in closed position such as CFGA or CGABb. If you can finger those on... |
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