https://www.bbc.co.uk/programmes/p01k4sg1?at_custom4=EC96F42E-D0EC-11EA-915C-A04A4D484DA4&at_custom2=facebook_page&at_custom1=%5Bpost+type%5D&at_campaign=64&at_custom3=BBC+Radio+3&at_medium=custom7


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Whoa, this looks really good. I am especially looking forward to the discussions on the Brandenburg's.

Brandenburg 1,3 and 6
https://www.bbc.co.uk/sounds/play/p01yx3yk

Thanks so much for sharing this Mike!

Thanks mike
It will take some time to get through this for sure.

My question is, where are the Stick composers?
Bach used the instruments available at the time.
I would like to see people compose music on the Stick, and use all the variations, and possibilities that can be had from the Stick. Ie odd fingering for giant chords, and arpeggios that can only be had by the Stick. there are too many things available at your fingertips to name, not to mention the things that just appear as you are playing, which just need to be honed, explored, and mastered.

I can try, and play Bach perfectly on the Stick, but it wasn't written for the Stick.

If Bach had a Stick, I'm sure he would not have written his music the way he wrote it for any other instrument.

I am not putting down anybody who plays Bach on the Stick by any means, I am just saying interpretation goes a long way, and innovation on the Stick is infinite.
I say learn how to play music on the Stick. Learn the instrument and its capabilities, then make music.

Rey, check out Flint's music. One of the guys writing on the Stick for the Stick. No adaptation necessary, 5ths/4ths