Akin,
I hardly think a “trained” cellist could add more feeling to the piece,
especially the introduction which has an almost Indian/Turkish
feeling. But Michael is right and perhaps this crew is biased;
if the scene where the keyboard hammers are hitting the strings
there was a close up of fingers hitting Stick strings...
I am not criticizing though I am amazed, the thought, organization, and
care all come through.
The real magic though is in those first notes
that's where the spell is cast.
Thank you for your great work.
JRJ