Wow, very enlightening read. I had to put my English grad school hat on next to my musician's hat (it's a weird hat, I'll admit), and remember what "semiotic" means (stuff about signs) and a few other big words, but that's awesome! Me's likeys sum big wordz!
Too many great quotes, but a few:
Quote:
The Stick, however, also plays the player. It is the instrument’s implicit task to sound forth, but this task cannot be realized without the musician’s body to attend to and complete its design (Downey 2005, 97).
My favorite footnote:
Quote:
World, in the Heideggerian sense, is not an object, a collection of objects, or even a subjective coloring of objects. Instead, “world” is an a priori significance-structure that directs the things that human beings may meet as “the means by which something can be done in order to accomplish this or that” (King 2001: 51, emphasis in original).
I'm a big fan of Heidegger's work!
https://en.wikipedia.org/wiki/Martin_HeideggerFrom existentialism, to Heidegger, and ontological discussions, I enjoyed a lot of that heady English major stuff combined with music--I don't get to meld those two worlds like this in a formal setting and really enjoyed it.
I especially liked the history of the young Emmett Chapman and how the Stick CAME TO BE. Many good stories here:
Quote:
This Stick prototype and its successors began to appear in live situations in the Los Angeles area. In 1971, Chapman briefly joined Tim Buckley’s adventurous Starsailor band. In contrast to Buckley’s previously folk-inspired work, the Starsailor project was far more open-ended and improvisatory, receiving accolades from jazz critics while popular critics panned it. The band consisted of Chapman, Buckley, drummer Maury Baker, and occasionally trombonist Glenn Ferris, and their performances were likened to watching a “Stravinsky jam session” (Brown 2001, 218). The Starsailor project was short-lived, but the presence of the instrument, now dubbed the “electric stick,” in the group marks an early instance of the instrument’s voice in experimental musical situations.
Loved the stuff about seminars as well--like to try one myself!
rodan07 wrote:
I don't know why I never thought about the Stick this way before - as an instrument that is coming of age as the Internet does.
The Internet is the only reason I ever heard of the Stick: reddit.com and Keith Warren, Stickman, winning indy.com's contest.
Lots to think about and lots to quote and like in the article. Thanks so much for sharing!