Quit Whining and Just Play!
Page 1 of 4

Author:  dbrosky [ Mon Oct 17, 2011 11:29 am ]
Post subject:  Quit Whining and Just Play!

Warning: This Article could get you out of a playing and writing rut!

In praise of Stick or.... quit whining and just play!

What if you approached the Stick with no preconceived notion of how to play a stringed instrument?

Common comments which are regularly espoused are: “well I can’t do this pentatonic as easy as I can on my guitar”, or “I can do this Root- b3rd -5th on my bass without thinking”, or “On my piano I can play these chords without this “up /down hand positioning”!

What if you just played it! Love the Stick for all that it is and just play it. You go to a new wonderful country with boundless gardens of new fruits and vegetables, & meats and new flavors bursting with exotic spices that you’ve never tasted before… and you order up a Big Mac! Whaat?

So you have a little more fret real estate to play a standard bass line. But why play a standard bass line when a root/fifth pattern, two fingers-one fret, the meat and potatoes of all Pop, Jazz, Funk, R&B, Blues, Hip Hop, Metal, Folk, and usually one size fits all bass line* works just fine over all these styles plus giving you the ultra hip and cool 9th one more string over.

Try flipping octaves around. Who says the downbeat HAS to be the lowest note in the universe? It’s still the root no matter where you play it.

Aren’t you -the independent rebel -being subconsciously dictated by the mindless masses in playing that low note root? If you a playing a Stick, you already are an open minded creative out of the box thinker, so why settle and compromise for convention. Invent!

Charles Mingus never compromised. Just listen to “Tonight at Noon” and “Haitian Fight Song” to remind you that there is creativity in the world.

If you are letting “that doesn’t sell” dictate as to how you write or play, then by compliments of the house, have a gallon of mental paint to put yourself into a permanent corner.

Innovative artists do what is in their passion and in their soul and have enriched the world with sonics we never would have heard. Yes, and as an aside, sometimes also sold a lot of records! Thank you Mr. Cobain!

Immortality is within your grasp! Creativity is still being heard and appreciated over 100 years later- whether it is attributable to record sales (general populace acceptance) or word of mouth – “this is so cool you have to hear this” (cult status), (counting when Mr. Edison first recorded sound in 1887 and produced the first wax cylinder in 1889)

The Stick gives you a neutral fretboard to be able to play chord progressions and their inversions up, down and across without learning infinite numbers of refingerings (see Ted Greene’s almost incomprehensible Chord Chemistry book- yeah, you remember that one).

You can play melody, chords, and bass lines on both sides (yes bass lines on the melody side down low- you mentally painted corner dwellers!)

The Stick provides the ability to overlap chords and arpeggios in real time without the need to loop or overdub for an instantaneous Culbertsonesque sound.

Cross Hands, Uncrossed Hands, Hot Crossed Buns, grab a bass note with your thumb and reach over, fingerstick a little a la Lee Vatip on “Minor Thing”.

Lock in a groove and soar into the atmosphere with distortion on your melody side Vis a Vis Greg (There is Water on the Moon proven!)

Turn your bass side into a crazed percussive marching snare while your melody side makes the song a jumping off point to stellar excursions into the instant minds thinking of the moment and beyond as Emmett does when he performed "When Johnny Comes Marching Home" at the First Annual Stickfest in Ann Arbor or sailed the "Titanic" at Interlochen.

Try this…..let your melody be the one leading the dance, and just start to put ANY chord against your melody note and see what happens. Play a “c” note on your melody side. Now sure a C chord works great, but try an Bb, Am, Ab, F, Dm, E major, C#. They all work and the “c” note becomes an extension of the chord and not just a note from a major scale. Thomas Dolby purposefully wrote “Airwaves” from Golden Age of Wireless using only 6 notes and put as many chords as he could behind those 6 notes. The result is a dense atmospheric texture not following conventional form and a sheer audio delight.

So, don’t worry be happy, and love and embrace your Stick for the incredible instrument that it is! “Be what you is, not what you is not. Folks who do this are the happiest lot” -Mr. Wizard to Tooter the Turtle.

The Stick is a blank canvass waiting to be painted with the limitless Sherman Williams creativity store of YOUR mind and your individual, soon to be immortal, voice and vision. I am thoroughly convinced you all have an individual voice and vision, so why not let it loose!
Start right now and let it loose on an unsuspecting public to change their minds and their ears forever. You can do this!

Hope this helps,
Dave Brosky

*Ed. Note- yes purists, I know it won’t work over a minor ii-V pattern, so use a b5 when you play Black Orpheus! :D

Yes, except over a harmonic ii-V progression with a flat 5 in there. You are only going to play Black Orpheus one time during the whole night “oh, we have a request to play it for 10th time…. right!

Author:  BSharp [ Mon Oct 17, 2011 4:10 pm ]
Post subject:  Re: Quit Whining and Just Play!

Ever the optimist, Dave seems to embody that quality, and he has highest hopes for humanity. We're all artists and we just have to liberate ourselves to find and unleash the music. I agree, we all have unique creative gifts, though many adults go out of their way to "sell themselves short".

From one Stick enthusiast to another, thanks Dave, for the inspiration. {8={E)}

Author:  rclere [ Mon Oct 17, 2011 6:18 pm ]
Post subject:  Re: Quit Whining and Just Play!

:mrgreen: Right on Dave.... Just tune my melody side in 5th's and the 12 string in unison with the 10th, and it ROCKS... This 5th's on each side just opened the magic of the STICK to me... And playing modally, well it is really cool. Not thinking of the Stick as bass and melody, but ONE!!! :ugeek: Thank you EMMETT!!!

Author:  metalken [ Mon Oct 17, 2011 7:37 pm ]
Post subject:  Re: Quit Whining and Just Play!

dbrosky wrote:
Common comments which are regularly espoused are: “well I can’t do this pentatonic as easy as I can on my guitar”, or “I can do this Root- b3rd -5th on my bass without thinking”, or “On my piano I can play these chords without this “up /down hand positioning”!

HUUUGE +1 here. Chances are you CAN play it just as easy on guitar, you're just not thinking about it the right way. In my experience at least.

Author:  Lee Vatip [ Mon Oct 17, 2011 9:12 pm ]
Post subject:  Re: Quit Whining and Just Play!

Nice post "ole smiley one". Indeed, Emmett's invention and discoveries are the infinite crayon box. Limitless possibilities are there for the player to discover, nurture, enhance, develop and present.
Well inspired monologue Dave.

Author:  baldol [ Tue Oct 18, 2011 2:01 am ]
Post subject:  Re: Quit Whining and Just Play!

i love it!

Author:  mike kemp [ Sat Nov 26, 2011 8:02 am ]
Post subject:  Re: Quit Whining and Just Play!

Does this mean I should be origional and end my hopes of being in a D. Brosky coverband?
Thanks for the insights Dave. I think you should, along with being a Stickist, try your hand at being a humorous newspaper colomnist like Dave Barry.

Mike Kemp

Author:  Per Boysen [ Sun Nov 27, 2011 8:54 am ]
Post subject:  Re: Quit Whining and Just Play!

Great post, Dave! Funnily that was exactly what I did when I recently started out to play the Stick. As I already play many less versatile instruments (guitar, sax, flute, EWI) I wanted to learn the Stick by "just blasting off". Well, it was a slow take-off. I spent some months figuring out and memorizing where all notes are to be found on the two fret-boards, how you can reach over to layer notes and finally how to tweak a tapped note for expression. But boy was that a rewarding time investment! Now on my second year of Stick playing I must say the instrument gives me the same 3-D feeling as scuba-diving or dreaming (when you fly around instead of walking the ground). To me that's what music is about.

Author:  AnDroiD [ Mon Nov 28, 2011 1:24 pm ]
Post subject:  Re: Quit Whining and Just Play!

Just started playing w a professional drummer, he introduces me as "His Stickist". he says, "wait till they see THAT on stage". whatever. was describing the instrument to someone and they said "you certainly are PASSIONATE about it. i was talking about Emmetts book..."the only thing you can't do is blow into it." my playing is growing leaps and bounds cause i listen to LIFE as my Teacher. i'm blown away every day. Thank you Emmett.

Author:  AnDroiD [ Tue Jan 24, 2012 2:05 am ]
Post subject:  Re: Quit Whining and Just Play!

Time to bring this post back up. thank u Dave, fer a thought - provoking message. and Emmett - it brings to mind a book by Julia Cameron, "The Artists Way". we are adult children who have forgotten how to PLAY. have fun, boys and girls. we don't even have a box to think outside of...

Page 1 of 4 All times are UTC - 8 hours [ DST ]
Powered by phpBB © 2000, 2002, 2005, 2007 phpBB Group