Well done! I enjoyed that.

Thank you very much, Gene! I tried to stick to the original score exactly. The Alto helps a lot with that.

I also play the piece on the 10-string Stick, with a little trick to make the sound more guitar-like (and easier to play): I dampen on the 2nd or 3rd fret, which gives me a kind of Medium Stick (like I have already answered Bruno (grozoeil)).


Bob Culbertson has a 12-string version of this (I think it's a prototype Emmett made for Bob). I wrote an email to both of them that I was interested in such a "tenor Stick". Unfortunately no answer.

What do we do next?
I have a very long list! I would like to approach something from Rodrigo Serrão (e.g. La Partida, Dança Palaciana, De Sobrepaso), Stefan Grossman & John Renbourn (e.g. Spirit Levels, Bermuda Triangle Exit), Leo Kottke (e.g. Eggtooth), Michael Hedges (The First Cutting, Ritual Dance), Anton Karas (The Harry Lime Theme - The Third Man), and so on and so on ...

Maybe we can persuade Rod to give us a lesson on it? That would be pretty sweet - Dança Palaciana sounds good.

Oh... I haven’t played that in a while but I bet the hands still remember it well... was the 2nd song I learned so it’s imbued in my playing - funny how the first songs we learn stick with us. You guys want to hear the original and try to come up with something? I should probably write down the arrangement either way...
played by the master: https://youtu.be/pVqmf1PRmGU


Enviado do meu iPhone usando o Tapatalk

You hit it exactly: the old songs stick with us and with our fingers. But my list of old songs is still very long ...