
Ten String Grand DBR - first impressions
Okay, so a few years go I thought "wouldn't a cool tuning for bassists be 4ths
and inverted 5ths with a common low B string?"
Dual Bass Reciprocal was officially born (though it turns out that Bob Shrum was also working with this concept, too).
I setup my 10-string, which wasn't ideal in terms of having unmatched pickups, but it became clear to me that this was a pretty cool tuning, and would serve the tapping bassist in a unique way, putting all the different vocabulary of Tony's signature two-handed bass in 5ths together with tapping bass in 4ths.
You can read the original article about it here:
http://www.stick.com/articles/howard_dbr/So earlier this week I received a new wenge Ten String Grand in Dual Bass Reciprocal, up a half step to low C.
No only is this a great tuning for tapping bassists. It's a great tuning for Stickists who want to be the bass player.
The 4ths in the right hand take advantage of all the melodic skill a player has developed, but applied to the bass role. The left hand can also play on the 4ths or they can work together to play two-handed bass in 5ths, 4ths or any combination.
I can pluck, bend, and the harmonics really pop out. I went with light gauge strings for more flexibility closer to the bridge, especially on strings 5 and 6. The extra spacing on the Ten String Grand makes plucking easier than on the standard 10-string. I'm still keeping the insturment mostly vertical, and plucking over the frets not down by the bridge. Maybe i'll get a stand for it and explore that later.
I chose to get no inlays so I could experiment with finding the right reference points. I think I'll end up with half lines, split at the middle and offset by one fret, with the normal positioning on strings 6-10, and one fret higher on strings 1-5, which will mimic the Classic melody string relationship to the inlays. Maybe dots under strings 3 and 8 instead of lines. We'll see.
I have a couple of videos I need to finish up before making a demo of this instrument and tuning, but a few choice tunes have already presented themselves and I'm working up arrangements of them.
The PASV-4 is a great pickup for this tuning, especially the dual pickup in-phase setting with maximum filter on both sides. Very meaty.
So I'm happy to finally have a dedicated instrument to prove out the concept. It was worth the wait. Special thanks to Grace and the rest of the folks who worked on this instrument.. it's a beauty and plays like a dream, as I would expect.